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Magic (paranormal)
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Note that the term magic is used in other contexts in other articles. For a discussion of magic as an aspect of religion, see magic and religion. Some people also use the term magick, with that variant spelling, to distinguish the concept of magick as proposed by Aleister Crowley from other varieties of magic.
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Appearing from aboriginal tribes in Australia and New Zealand to rainforest tribes in South America, bush tribes in Africa and pagan tribal groups in Western Europe and Britain, some form of shamanic contact with the spirit world seems to be nearly universal in the early development of human communities. The ancient cave paintings in France are widely speculated to be early magical formulations, intended to produce successful hunts. Much of the Babylonian and Egyptian pictorial writing characters appear derived from the same sources.
Although indigenous magical traditions persist to this day, very early on some communities transitioned from nomadic to agricultural civilizations, and with this shift, the development of spiritual life mirrored that of civic life. Just as tribal elders were consolidated and transformed into kings and bureaucrats, so too were shamans and adepts devolved into priests and a priestly caste.
This shift is by no means in nomenclature alone. While the shaman's task was to negotiate between the tribe and the spirit world, on behalf of the tribe, as directed by the collective will of the tribe, the priest's role was to transfer instructions from the deities to the city-state, on behalf of the deities, as directed by the will of those deities. This shift represents the first major usurpation of power by distancing magic from those participating in that magic. It is at this stage of development that highly codified and elaborate rituals, setting the stage for formal religions, began to emerge, such as the funeral rites of the Egyptians and the sacrifice rituals of the Babylonians, Persians, Aztecs and Mayans.
Magical beliefs and practices are common in many cultures and religions. The word magic comes from the beliefs and practices of the Magi (singular, Magus), Persian priests and scholars, followers of Zoroaster, who were credited by the classical world with mastery of astrology and other arcane arts.
Officially, Judaism, Christianity and Islam characterize magic as witchcraft, but some forms of magical thinking have existed within these religions throughout some of their history. When these religions' views of magic were later applied to the beliefs of other religions, this had the effect of vilifying tribal shamans and other practitioners of magic.
Examples of the suppression of magical belief and practice range from the eradication of neighboring polytheistic tribes by the early Hebrews, to the attempted suppression and eventual appropriation of pagan holidays[?] by the Catholic Church, to the mingled motives of the Conquistadors, to the Salem witch trials of the Puritans. During such periods, the tendency of magic is to become more obscure and esoteric, with a certain element in society always managing to preserve lore and tradition, often in disguised or metaphorical terms. This pattern gave rise to the term occult.
The motivation of much scientific enquiry is similar to the motivation of magic; that it is possible to discover the underlying reality behind mundane reality, and that that reality may have laws and princples which may be discovered and controlled. Unlike the practice of magic, science has the scientific method to correct its errors. As the scientific method took hold, astronomy evolved from astrology, and chemistry from alchemy.
Belief in various magical practices has waxed and waned in European and Western history, under pressure from either organised monotheistic religions or from scepticism about the reality of magic, and the ascendency of scientism. The time of the Emperor Julian of Rome, marked by a reaction against the influence of Christianity, saw a revival of magical practices associated with neo-Platonism under the guise of theurgy.
Mediæval authors, under the control of the Church, confined their magic to compilations of wonderlore and collections of spells. Albertus Magnus was credited, rightly or wrongly, with a number of such compilations. Specifically Christianised varieties of magic were devised at this period. The demonology and angelology contained in the earliest grimoires assumes a life surrounded by Christian implements and sacred rituals. The underlying theology in these works of Christian demonology encourages the magician to fortify himself with fasting, prayers, and sacraments, so that by using garbled versions of the holy names of God in foreign languages, he can use divine power to coerce demons into appearing and serving his usually lustful or avaricious magical goals. Not surprisingly, the church disapproved of these rites; they are none the less Christianised for all that, and assume a theology of mechanical sacramentalism.
Renaissance humanism saw a resurgence in hermeticism and other Neo-Platonic varieties of ceremonial magic. The Renaissance and the Industrial Revolution, on the other hand, saw the rise of scientism, in such forms as the substitution of chemistry for alchemy, the dethronement of the Ptolemaic theory of the universe assumed by astrology, the development of the germ theory of disease, that restricted the scope of applied magic and threatened the belief systems it relied on. Tensions roused by the Protestant Reformation led to an upswing in witch-hunting, especially in Germany, England, and Scotland; but ultimately, the new theology of Protestantism proved a worse foe to magic by undermining belief in the sort of ritualism that allowed religious rites to be re-purposed towards earthly, magical ends. Scientism, more than religion, proved to be magic's deadliest foe.
More recent periods of renewed interest in magic occurred around the end of the nineteenth century, where Symbolism and other offshoots of Romanticism cultivated a renewed interest in exotic spiritualities. European colonialism, which put Westerners in contact with India and Egypt, re-introduced exotic beliefs to Europeans at this time. Hindu and Egyptian mythology frequently feature in nineteenth century magical texts. The late 19th century spawned a large number of magical organizations, including the Hermetic Order of the Golden Dawn, the Theosophical Society, and specifically magical variants on Freemasonry. The Golden Dawn represented perhaps the peak of this wave of magic, attracting cultural celebrities like William Butler Yeats, Algernon Blackwood, and Arthur Machen to its banner.
A further revival of interest in magic was heralded by the repeal, in Great Britain, of the last Witchcraft Act in 1951. This was the cue for Gerald Gardner, now recognised as the founder of Wicca, to publish his first non-fiction book Witchcraft Today, in which he claimed to reveal the existence of a witch-cult that dated back to pre-Christian Europe. Gardner's new religion combined magic and religion in a way that was later to cause people to question the Enlightenment's boundaries between the two subjects.
Gardner's new religion, and many imitators, took off in the atmosphere of the 1960s and 1970s, when the counterculture of the hippies also spawned another period of renewed interest in magic, divination, and other occult practices. The various branches of neo-paganism and other new earth religions that have sprung up in Gardner's wake tend to follow his lead in combining the practice of magic and religion. The trend was continued by some heirs to the counterculture; feminists led the way when some launched an independent revival of goddess worship. This brought them into contact with the Gardnerian tradition of magical religion, and deeply influenced that tradition in return.
Many people in the West claim to believe in or practise various forms of magic. The forms of magic they adhere to have been reconstructed from secondary or tertiary sources. The Hermetic Order of the Golden Dawn, Aleister Crowley, and their followers are most often credited with the resurgence of magical tradition in the English speaking world of the 20th century, but in their eagerness to reconstruct the lost traditions of the past, they often included elements of questionable authenticity, or manufactured them from whole cloth. Other, similar movements took place at roughly the same time, centred in France and Germany. Thus, any current tradition which acknowledges the natural elements, the seasons, and the practitioner's relationship with the Earth, Gaia, or the Goddess may be correctly regarded as Neopagan, and few such traditions can be sensibly labelled more authentic than any others.
Aleister Crowley preferred the spelling magick, defining it as "the science and art of causing change to occur in conformity with the will." By this, he included "mundane" acts of will as well as ritual magick. In Magick in Theory and Practice, Chapter XIV, Crowley says:
- What is a Magical Operation? It may be defined as any event in nature which is brought to pass by Will. We must not exclude potato-growing or banking from our definition. Let us take a very simple example of a Magical Act: that of a man blowing his nose.
Although some current practitioners of magic prefer the term pagan, Neopaganism is more correct for scholarly reference to current rituals and traditions. Wicca is a more codified form of modern magic than Neopaganism, again owing much to Crowley and his ilk. Wicca and Neopaganism are very different things from Satanism, which owes its structure and memes primarily to inversions of monotheistic texts.
A survey of writings by believers in magic shows that adherents believe that it may work by one or more of these basic principles:
- Natural forces that cannot be detected by science at present, and in fact may not be detectable at all. These magical forces are said to exist in addition to and alongside the four known forces of nature: gravity, electromagnetism, the strong nuclear force and the weak nuclear force.
- A mystical power, such as mana, that exists in all things. This power is often said to be dangerous to people.
- A mysterious interconnection in the cosmos that connects and binds all things, above and beyond the natural forces.
- Manipulation of symbols. Adherents of magical thinking believe that symbols can be used for more than representation: they can magically take on a physical quality of the phenomenon or object that they represent. By manipulating symbols, one is said to be able to manipulate the reality that this symbol represents.
- The principles of sympathetic magic of Sir James George Frazer[?], explicated in his The Golden Bough (third edition, 1911-1915). These principles include the "law of similarity" and the "law of contact" or "contagion." These are systematized versions of the manipulation of symbols. Frazer defined them this way:
- If we analyse the principles of thought on which magic is based, they will probably be found to resolve themselves into two: first, that like produces like, or that an effect resembles its cause; and, second, that things which have once been in contact with each other continue to act on each other at a distance after the physical contact has been severed. The former principle may be called the Law of Similarity, the latter the Law of Contact or Contagion. From the first of these principles, namely the Law of Similarity, the magician infers that he can produce any effect he desires merely by imitating it: from the second he infers that whatever he does to a material object will affect equally the person with whom the object was once in contact, whether it formed part of his body or not. [1] (http://www.bartleby.com/196/5)
- Concentration or meditation. A certain amount of restricting the mind to some imagined object (or will), according to Aleister Crowley, produces mystical attainment or "an occurrence in the brain characterized essentially by the uniting of subject and object." (Book Four, Part 1: Mysticism) Magick, as defined previously, seeks to aid concentration by constantly recalling the attention to the chosen object (or Will), thereby producing said attainment. For example, if one wishes to concentrate on a God, one might memorize a system of correspondances (perhaps chosen arbitrarily, as this would not affect its usefulness for mystical purposes) and then make every object that one sees "correspond" to said God.
- Aleister Crowley wrote that ". . . the exaltation of the mind by means of magical practices leads (as one may say, in spite of itself) to the same results as occur in straightforward Yoga." Crowley's magick thus becomes a form of mental, mystical, or spiritual discipline, designed to train the mind to achieve greater concentration. Crowley also made claims for the paranormal effects of magick, suggesting a connection with the first principle in this list. However, he defined any attempt to use this power for a purpose other than aiding mental or mystical attainment as "black magic".
Religious ritual and magical thinking
Viewed from a non-theistic perspective, many religious rituals and beliefs seem similar to, or identical to, magical thinking.
Related to both magic and prayer is religious supplication. This involves a prayer, of even a sacrifice to a supernatural being or god. This god or being is then asked to intervene on behalf of the person offering the prayer.
The difference, in theory, is that prayer requires the assent of a deity with an independent will, who can deny the request. Magic, by contrast is thought to be effective:
- by virtue of the operation itself;
- or by the strength of the magician's will;
- or because the magician believes he can command the spiritual beings addressed by his spells.
The basic mechanism of magical practices is the spell, a spoken or written formula which is used in conjunction with a particular set of ingredients. If a spell is properly executed and fails to work, then the spell is a fraud. However, in most instances, the failure of a spell to bring about the desired effect can be attributed to the failure of the person executing the spell to follow the magic formula to the letter.
Generally speaking, there are two types of magic: contagious magic[?] and sympathetic magic. Contagious magic involves the use of physical ingredients which were once in contact with the object or objects one hopes to influence with a spell, and sympathetic magic involves the use of physical objects which resemble the object or objects one hopes to influence.
There are several historical varieties of magical practice. Generally, magical intentions can be divided into two general areas. The first is divination, which seeks to reveal information. Varieties of divination include:
Necromancy involves the summoning and conversation with spirits. This can be done either to gain information from the spirits; or it can be done with the intention of commanding those spirits, in which it falls under the second general area of magic; that of casting spells. Included in this broad category are a number of specific magical intentions, such as the weather magic of the rain dance, the physical magic of alchemy, or the making of potions and philtres[?].
Another method of classifying magic is by "traditions," which in this context typically refer to complexes of magical belief and practice associated with various cultural groups and lineages of transmission. These traditions can compass both divination and spells. Examples of these traditions include:
Some of these traditions are highly specific and culturally circumscribed. Others are more eclectic[?] and syncretistic. When dealing with magic as a tradition, the line often becomes blurry between magic and folk religion.In considering magic as tradition, a related category concerns magic in fiction, where it serves as a plot device, the source of magical artifacts and their quests. Magic has long been a subject of fictional tales, especially in fantasy fiction, where it has been a mainstay from the days of Homer and Apuleius, down through the tales of the Holy Grail, Edmund Spenser's The Faerie Queene, and to contemporary authors from J. R. R. Tolkien to Mercedes Lackey and J. K. Rowling. There may be a well-developed system in fictional magic, or not. It is by no means impossible, moreover, for fictional magic to leap from the pages of fantasy to actual magical practice; such was the fate of the Necronomicon, invented as fiction by H. P. Lovecraft, who sold it so well that there have been several attempts to produce this fabled and dangerous grimoire.
Many mythological or historical magicians have appeared in fictional accounts as well.
See: List of occultists
See also: magical thinking, skepticism, fetishism, animism.
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