The cemetery also offers a fascinating view of the changing style of death monuments in Ireland over the last 200 years; from the austere simple high stone erections of the period up until the 1860s, to the elaborate celtic crosses of the nationalistic revival from the 1860s to 1960s, to the plain Italian marble of the late twentieth century.
Nowadays, Glasnevin fascinates the visitor not only because of its historical graves, but also because of its unique atmosphere of unkept desolation and melancholy abandonment. It is a wasteland of greyish rubble, crumbling, listing, broken or fallen monuments and the occasional contemporary shabbiness that evokes a third-world air in the middle of the burgeoning Celtic Tiger capital.
Glasnevin Cemetery reminds us how very recent Ireland's rise to economic power really is. As yet, the boom town Dublin has not found the time to prettify its past as it is represented at Glasnevin. Broken coverstones through which one may peer into the walled crypts make Glasnevin a memento mori[?] that can no longer be found in most of the developed world's garden cemeteries that aim to pacify, hide and obliterate, not remember, death.
1Harry Boland's death features in the film of Michael Collins' life made by Neil Jordan. In reality the manner of his death bore little relationship to the account portrayed in the film.
2Casement's remains (or what purported to be Casement's remains) were exhumed from their previous location in a British prison and returned to Ireland in 1965 where they were granted a state funeral. It has been suggested since that the remains are not Casement's, or rather are not only of Casement. According to reports, when the exhumation took place, it was impossible to clarify which bones belonged to Casement and which to other prisoners buried in the same site in the prison grounds. A set of bones was assembled, but it is known whether any of Casement's bones were among them.
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