The Futurists explored every medium of art, including painting, sculpture, poetry, theatre, music and even gastronomy. The Italian poet Filippo Tommaso Marinetti was the first among them to produce a manifesto of their artistic philosophy in his Manifesto of Futurism (1909), first released in Milan and published in the French paper Le Figaro (February 20). Marinetti summed up the major principles of the Futurists, including a passionate loathing of ideas from the past, especially political and artistic traditions. He and others also espoused a love of speed, technology and violence. The car, the plane, the industrial town were all legendary for the Futurists, because they represented the technological triumph of man over nature.
Marinetti's impassioned polemic immediately attracted the support of the young Milanese painters - Boccioni, Carrą, and Russolo - who wanted to extend Marinetti's ideas to the visual arts (Russolo was also a composer, and introduced Futurist ideas into his compositions). The painters Balla and Severini met Marinetti in 1910 and together these artists represented Futurism's first phase.
Futurists dubbed the love of the past "pastism", and its proponents "pastists" (cf. Stuckism). They would sometimes even physically attack alleged pastists, in other words, those who were apparently not enjoying Futurist exhibitions or performances.
Futurism influenced many other 20th century art movements, including Art Deco, Vorticism, Constructivism and Surrealism. Although Futurism itself is now regarded as extinct, having died out during the 1920s, powerful echoes of Marinetti's thought, especially his "dreamt-of metallization of the human body", still remain in Japanese culture and surface in manga/anime and the film works of Shinya Tsukamoto[?].