The play which made him an established favourite was The Silver King by Henry Arthur Jones[?], perhaps the most successful melodrama of the century, produced in 1882 with himself as Wilfred Denver, his brother George (an excellent comedian) in the cast, and E. S. Willard[?] as the “Spider,”--this being the part in which Mr Willard, afterwards a well-known actor both in America and England, first came to the front. Barrett played this part for three hundred nights without a break, and repeated his London success in W. G. Wills[?]’s Claudian which followed.
In 1884 he appeared in Hamlet, but soon returned to melodrama, and though he had occasional seasons in London he acted chiefly in the provinces. In 1886 he made his first visit to America, repeated in later years, and in 1898 he visited Australia. During these years the London stage was coming under new influences, and Wilson Barrett’s vogue in melodrama had waned.
But in 1895 he struck a new vein of success with his drama of religious emotion, The Sign of the Cross, which crowded his theatre with audiences largely composed of people outside the ordinary circle of playgoers. He attempted to repeat the success with other plays of a religious type, but not with equal effect, and several of his later plays were failures.
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