Apart from the famous case of Longfellow's Hiawatha, this metre is rare in English verse, except with an extra long syllable added to each line, as in this example from Tennyson:
Perhaps owing to its simplicity, though, trochaic meter is fairly common in children's rhymes:
Often a few trochees will be interspersed among iambs in the same lines to develop a more complex or syncopated rhythm. Compare (William Blake):
These lines are primarily trochaic, with the last syllable dropped so that the line ends with a stressed syllable to give a strong rhyme[?] or masculine rhyme[?]. By contrast, the intuitive way that the mind groups the syllables in later lines in the same poem makes them feel more like iambic[?] lines with the first syllable dropped:
In fact the surrounding lines by this point have become entirely iambic:
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