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Plot

Plot in literature, theater, movies According to Aristotle's Poetics, a plot in literature is "the arrangement of incidents" that (ideally) each follow plausibly from the other. The plot is like the chalk outline that guides the painter's brush. An example of the type of plot which follows these sorts of lines is the linear plot of development to be discerned within the pages of a bildungsroman novel.

Aristotle notes that a string of unconnected speeches, no matter how well-executed, will not have as much emotional impact as a series of tightly connected speeches delivered by imperfect speakers.

The concept of plot and the associated concept of construction of plot, emplotment[?], has of course developed considerably since Aristotle made these insightful observations. The episodic narrative[?] tradition which Aristotle indicates has systematically been subverted over the intervening years, to the extent that the concept of beginning, middle, end are merely regarded as a conventional device when no other is to hand.

This is particularly true in the cinematic tradition where the folding and reversal of episodic narrative is now a commonplace. Moreover, many writers and film directors, particularly those with a proclivity for the Modernist or other subsequent and derivative movements which emerged during or after the early 20th century seem more concerned that plot is an encumbrance to their artistic medium than an assistance.