Many of the early examples of fine-art photomontage superimposed photographed elements on watercolours, a combination returned to by (e.g.) George Grosz, in about 1915. David Ridge[?] has extended this idea by using photographs of painted, sculptured landscapes as part of the composition (1999/2000). Other methods for combining pictures are also called photomontage, such as combination printing (the printing from more than one negative on a single piece of printing paper - e.g. O. G. Rejlander[?], 1857) and front-projection and computer montage techniques.
See also Hag[?] (b.1949), John Heartfield
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