Redirected from Norman Cook
Cook grew up in Reigate, Surrey. He started a punk fanzine as a teenager and at sixth-form college met Paul Heaton[?]. At 18, Cook went to university to study a BA in English, Politics and Sociology. Although he had begun DJ-ing some years before, it was at this time that he began to develop his skills on the thriving Brighton club scene. In 1985 he was diverted by a call from an his old friend, Paul Heaton. Heaton had moved to Hull and had formed a guitar band called The Housemartins[?]. The Housemartins' bassist had just quit on the eve of their first national tour, and although Cook had lost interest in the rock scene and could barely play a musical instrument, he agreed to move to Hull to join them. The band soon had hit single with Happy Hour and they reached number one just before Christmas 1986 with a version of Caravan of Love, but by 1988 they had split up. Heaton and the band's drummer Dave Hemingway went on to form The Beautiful South[?], while Cook moved back to Brighton to pursue his interest in the style of music he preferred.
Cook formed Beats International[?], loose confederation of studio musicians including vocalists Linda Layton and Lester Noel, rapper MC Wildski, and keyboardist Andy Boucher. Their first album, Let Them Eat Bingo[?] (included the Number 1 single, "Dub Be Good to Me[?]"). "Dub Be Good To me" caused a legal dispute revolving around allegations of infringement of copyright through the liberal use of unauthorised samples[?]: the bassline was a note-for-note lift from the Clash's[?] "The Guns Of Brixton" and the song also borrowed heavily from the S.O.S. Band's "Just Be Good To Me". The 1991 follow-up album Excursion on the Version[?], an exploration of dub and reggae rhythms, failed to repeat the success of its predecessor.
Cook now formed Freakpower[?], with horn player and singer Ashley Slater[?]. The duo released their debut album, Drive Thru Booty[?], in 1994, which contained the single "Turn on Tune in Cop Out[?]". The cut was picked up by the Levi[?] company for use in a multimillion-dollar ad campaign.
In 1995, Cook enlisted help from producer friends Tim Jeffery[?] and JC Reid[?] to create a solo album, "Pizzaman[?]." The album featured one track ("Happiness") that was picked up by the Del Monte corporation[?] for use in a U.K. fruit juice ad. Cook then re-joined Ashley Slater for the second Freakpower album, titled Everything for Everybody[?], in 1996.
Later that same year, Cook adopted the alter-ego pseudonym Fatboy Slim and began frequenting the Brighton club The Big Beat Boutique. While DJing at the club, Cook befriended the Chemical Brothers, who suggested that he work on his own material instead of sticking to DJing.
The Fatboy Slim album Better Living Through Chemistry[?] marked Cook's emergence into the big time. Filled with retro samples and funk-laden grooves, the album established the "big beat" sound. It also spawned one Top 10 U.K. hit, "Everybody Needs a 303[?]"). After Cook's remix of Cornershop[?]'s "Brimful of Asha[?]" topped the charts, such musical heavy hitters as Madonna and U2 asked him to produce for them.
Fatboy Slim's next work was the single "The Rockafeller Skank[?]," which was released prior to its album You've Come A Long Way Baby[?], both of which came out in 1998 to rave reviews. Further Fatboy Slim works have appeared in movies, television series, and more ads.
Halfway Between the Gutter and the Stars[?] was released in 2000 and featured several collaborations with vocalist Macy Gray as well as "Sunset (Bird of Prey)[?]," a slower tempo piece based around a sample of Jim Morrison from the Doors.
Cook was recently awarded a star on the city of Brighton's Walk of Fame, next to that of Winston Churchill.
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