He gained his western credibility in the 1950s and 1960s with a number of bleak films - two antiwar films with The Burmese Harp and Fires on the Plain, Conflagration in which a priest burns down his temple to save it from spiritual pollution, Alone in the Pacific and the technically formidable An Actor's Revenge about a Kabuki actor. Most of these films are literary adaptations, often screen-written by his wife, Natto Wada, and when she ceased this activity at the end of the 1960s it marked a change in his films.
It can be said that his main trait is technical expertise, irony, detachment and a drive for realism married with a complete spectrum of genres. Some critics class him with Akira Kurosawa, Kenji Mizoguchi[?] and Yasujiro Ozu as one of the masters of Japanese cinema.
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