In considering the way that films are put together, many feminist film critics have pointed to the "male gaze[?]" that predominates in classical Hollywood filmmaking. Through the use of various film techniques, such as shot reverse shot, the viewer is led to align herself with the point of view of the (male) protagonist. Notably, women function as objects of this gaze far more often than as proxies for the spectator.
See Laura Mulvey[?]'s essay Visual Pleasure and Narrative Cinema, which can be found here (http://www.richmond.edu/~lmcwhort/restricted/Mulvey).
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