Redirected from Alan Jay Lerner
In 1942 he was introduced to Austrian composer Frederic Loewe (1901-1988), who needed a lyricist for an out-of-town musical. The Lerner/Loewe collaboration had begun. Their first major hit was "Brigadoon" (1947), a romantic fantasy set in a mystical Scottish village. In 1951 they wrote the less successful "Paint Your Wagon." That same year Lerner wrote the Oscar-winning screenplay for "An American in Paris." He had also written with Kurt Weill (the stage musical "Love Life[?]") and Burton Lane[?] (the movie musical "Royal Wedding[?]").
After years of dead ends, Lerner and Loewe unveiled their masterpiece, "My Fair Lady," in 1956. Their adaptation of "Pygmalion" retained all of Bernard Shaw's social commentary and added unusally appropriate songs for the characters of Eliza Doolittle[?] and Henry Higgins[?]. "My Fair Lady" set box-office records in New York and London; the eventual movie version won seven Oscars. Lerner and Loewe's next work was the film musical hit "Gigi." Their partnership cracked during the stress of "Camelot" in 1960, with Loewe resisting Lerner's desire to direct as well as write. "Camelot" was a hit nonetheless, and became the symbol for President Kennedy's brief administration. Loewe retired to Palm Springs, California while Lerner went through a series of unsuccessful musicals with such esteemed composers as Andre Previn[?], Leonard Bernstein and Charles Strouse[?]. At the time of Lerner's death he had been approached to write lyrics for "Les Miserables" and "The Phantom of the Opera."
Throughout Lerner's career, his lyrics captured a sense of romantic yearning, and included witty references and occasional double entendres. His librettos had smart one-liners but, for the most part, were structurally flawed.
Lerner was a suave, sophisticated gentleman with an addictive personality; for over 20 years he battled an amphetamine addiction, and Lerner would marry eight times (as one colleague quipped, "I never met a Mrs. Alan Jay Lerner I didn't like"). The drugs and women cost him much of his money. When he died in 1986, he reportedly owed the IRS over $1 million in back taxes. Yet the only thing most remember about Lerner are his lyrics, among the most literate and passionate in 20th century popular music.