Encyclopedia > The Pied Piper of Hamelin

  Article Content

The Pied Piper of Hamelin

The Pied Piper of Hamelin is a folk tale, among others written down by the Brothers Grimm. It tells about a disaster in the town of Hamelin, Germany, that supposedly occurred in the year 1284. In that year a man came to Hamelin claiming to be a rat-catcher. The people of Hamelin promised him payment for killing the rats. So the man took a pipe, attracted the rats by his music and made them follow him to the Weser river, where they all drowned. Despite this success the people reneged on its promise and did not pay the rat-catcher.

He left the town, but returned several weeks later. While the inhabitants were in the church, he played again a melody, now attracting the children of Hamelin. 130 boys and girls followed him out of the town, were lured into a cave and sealed. Depending on the version at most two children survived.

Although there has been a lot of research, no clear explanation can be given these days of what historical event is behind the reports, see external link with list of theories (http://www.thepiedpiper.de/Legend_GB.htm).

The oldest remaining written source is from ca. 1440.

Reportedly there has been a law for a long time, forbidding singing and music in one particular street of Hamelin, out of respect for the victims.

The Pied Piper story is heavily referenced by the Russian poet Marina Tsvetaeva in her poem The Ratcatcher.

There is a poem by Robert Browning based on the tale, which was published in 1888. The following is a wikified version of an excerpt from a Project Gutenberg text:

THE PIED PIPER OF HAMELIN

A CHILD'S STORY

 I.

 Hamelin town's in Brunswick,
 By famous Hanover city;
 The river Weser, deep and wide,
 Washes its wall on the southern side
 A pleasanter spot you never spied;
 But when begins my ditty,
 Almost five hundred years ago,
 To see the townsfolk suffer so
 From vermin, what a pity!

 II.

 Rats!
 They fought the dogs and killed the cats,
 And bit the babies in the cradles,
 And ate the cheeses out of the vats,
 And licked the soup from the cook's own ladles.
 Split open the kegs of salted sprats,
 Made nests inside men's Sunday hats,
 And even spoiled the women's chats
 By drowning their speaking
 With shrieking and squeaking
 In fifty different sharps and flats.

 III.

 At last the people in a body
 To the town hall came flocking:
 "'Tis clear," cried they, "our mayor's a noddy;
 And as for our corporation--shocking
 To think we buy gowns lined with ermine
 For dolts that can't or won't determine
 What's best to rid us of our vermin!
 Rouse up, sirs! Give your brains a racking
 To find the remedy we're lacking,
 Or, sure as fate, we'll send you packing!"
 At this the mayor and corporation
 Quaked with a mighty consternation.

 IV.

 An hour they sat in council;
 At length the mayor broke silence
 "For a guilder I'd my ermine gown sell;
 I wish I were a mile hence!
 It's easy to bid one rack one's brain--
 I'm sure my poor head aches again,
 I've scratched it so, and all in vain.
 Oh for a trap, a trap, a trap!"
 Just as he said this, what should hap
 At the chamber door but a gentle tap!
 "Bless us," cried the mayor, "what's that?"
 (With the corporation as he sat
 Looking little though wondrous fat;
 Nor brighter was his eye, nor moister
 Than a too-long-opened oyster,
 Save when at noon his paunch grew mutinous
 For a plate of turtle green and glutinous),
 "Only a scraping of shoes on the mat
 Anything like the sound of a rat
 Slakes my heart go pit-a-pat!"

 V.

 "Come in!"--the mayor cried, looking bigger:
 And in did come the strangest figure!
 His queer long coat from heel to head
 Was half of yellow and half of red,
 And he himself was tall and thin,
 With sharp blue eyes, each like a pin,
 And light loose hair, yet swarthy skin,
 No tuft on cheek nor beard on chin,
 But lips where smiles went out and in;
 There was no guessing his kith and kin:
 And nobody could enough admire
 The tall man and his quaint attire.
 Quoth one: "It's as my great-grandsire,
 Starting up at the trump of doom's tone,
 Had walked this way from his painted tombstone!"

 VI.

 He advanced to the council table:
 And, "Please your honors," said he, "I'm able,
 By means of a secret charm, to draw
 All creatures living beneath the sun,
 That creep or swim or fly or run,
 After me so as you never saw!
 And I chiefly use my charm
 On creatures that do people harm,
 The mole and toad and newt and viper;
 And people call me the Pied Piper."
 (And here they noticed round his neck
 A scarf of red and yellow stripe,
 To match with his coat of the selfsame check;
 And at the scarf's end hung a pipe;
 And his fingers, they noticed, were ever straying
 As if impatient to be playing
 Upon this pipe, as low it dangled
 Over his vesture so old-fangled.)
 "Yet," said he, "poor piper as I am,
 In Tartary I freed the Cham,
 Last June, from his huge swarms of gnats;
 I eased in Asia the Nizam
 Of a monstrous brood of vampire bats:
 And as for what your brain bewilders,
 If I can rid your town of rats
 Will you give me a thousand guilders?"
 "One? fifty thousand!"--was the exclamation
 Of the astonished mayor and corporation.

 VII.

 Into the street the piper stepped
 Smiling first a little smile,
 As if he knew what magic slept
 In his quiet pipe the while;
 Then, like a musical adept,
 To blow the pipe his lips he wrinkled,
 And green and blue his sharp eyes twinkled,
 Like a candle flame where salt is sprinkled;
 And ere three shrill notes the pipe uttered,
 You heard as if an army muttered;
 And the muttering grew to a grumbling;
 And the grumbling grew to a mighty rumbling;
 And out of the houses the rats came tumbling.
 Great rats, small rats, lean rats, brawny rats,
 Brown rats, black rats, gray rats, tawny rats,
 Grave old plodders, gay young friskers,
 Fathers, mothers, uncles, cousins,
 Cocking tails and pricking whiskers,
 Families by tens and dozens,
 Brothers, sisters, husbands, wives--
 Followed the piper for their lives.
 From street to street he piped advancing,
 And step for step they followed dancing,
 Until they came to the river Weser,
 Wherein all plunged and perished!
 --Save one who, stout as Julius Caesar,
 Swam across and lived to carry
 To rat-land home his commentary:
 Which was, "At the first shrill notes of the pipe,
 I heard a sound as of scraping tripe,
 And putting apples, wondrous ripe,
 Into a cider-press's gripe:
 And a moving away of pickle-tub-boards,
 And a leaving ajar of conserve-cupboards,
 And a drawing the corks of train-oil-flasks,
 And a breaking the hoops of butter-casks:
 And it seemed as if a voice
 (Sweeter far than by harp or by psaltery
 Is breathed) called out, 'Oh rats, rejoice!
 The world is grown to one vast drysaltery!
 So munch on, crunch on, take your nunchion,
 Breakfast, supper, dinner, luncheon!'
 And just as a bulky sugar-puncheon,
 All ready staved, like a great sun shone
 Glorious scarce an inch before me,
 Just as methought it said, 'Come, bore me!'
 --I found the Weser rolling o'er me."

 VIII.

 You should have heard the Hamelin people
 Ringing the bells till they rocked the steeple.
 "Go, cried the mayor, "and get long poles,
 Poke out the nests and block up the holes!
 Consult with carpenters and builders,
 And leave in our town not even a trace
 Of the rats!" when suddenly, up the face
 Of the piper perked in the market place,
 With a "First, if you please, my thousand guilders!"

 IX.

 A thousand guilders! The mayor looked blue;
 So did the corporation too.
 To pay this sum to a wandering fellow
 With a gypsy coat of red and yellow!
 "Beside," quoth the mayor with a knowing wink.
 "Our business was done at the river's brink;
 We saw with our eyes the vermin sink,
 And what's dead can't come to life, I think.
 So, friend, we're not the folks to shrink
 From the duty of giving you something for drink,
 And a matter of money to put in your poke;
 But as for the guilders, what we spoke
 Of them, as you very well know, was in joke.
 Beside, our losses have made us thrifty.
 A thousand guilders! Come, take fifty!"

 X.

 The piper's face fell, and he cried,
 "No trifling! I can't wait. Beside,
 I've promised to visit by dinner time
 Bagdat, and accept the prime
 Of the head cook's pottage, all he's rich in,
 For having left, in the caliph's kitchen,
 Of a nest of scorpions no survivor:
 With him I proved no bargain driver,
 With you, don't think I'll bate a stiver!
 And folks who put me in a passion
 May find me pipe after another fashion."

 XI.

 "How?" cried the mayor, "d'ye think I brook
 Being worse treated than a cook?
 Insulted by a lazy ribald
 With idle pipe and vesture piebald?
 You threaten us, fellow? Do your worst,
 Blow your pipe there till you burst!"

 XII.

 Once more he stepped into the street
 And to his lips again
 Laid his long pipe of smooth straight cane;
 And ere he blew three notes (such sweet
 Soft notes as yet musician's cunning
 Never gave the enraptured air)
 There was a rustling that seemed like a bustling
 Of merry crowds justling at pitching and hustling,
 Small feet were pattering, wooden shoes clattering
 Little hands clapping and little tongues chattering,
 And, like fowls in a farmyard when barley is scattering
 Out came the children running.
 All the little boys and girls,
 With rosy cheeks and flaxen curls,
 And sparkling eyes and teeth like pearls,
 Tripping and skipping, ran merrily after
 The wonderful music with shouting and laughter.

 XIII.

 The mayor was dumb, and the council stood
 As if they were changed into blocks of wood,
 Unable to move a step, or cry
 To the children merrily skipping by,
 --Could only follow with the eye
 That joyous crowd at the piper's back.
 But how the mayor was on the rack,
 And the wretched council's bosoms beat,
 As the piper turned from the High Street
 To where the Weser rolled its waters
 Right in the way of their sons and daughters
 However he turned from South to West,
 And to Koppelberg Hill his steps addressed,
 And after him the children pressed;
 Great was the joy in every breast.
 "He never can cross that mighty top!
 He's forced to let the piping drop,
 And we shall see our children stop!"
 When, lo, as they reached the mountain side,
 A wonderous portal opened wide,
 As if a cavern was suddenly hollowed;
 And the piper advanced and the children followed,
 And when all were in to the very last,
 The door in the mountain side shut fast.
 Did I say, all? No! One was lame,
 And could not dance the whole of the way;
 And in after years, if you would blame
 His sadness, he was used to say,--
 "It's dull in our town since my playmates left!
 I can't forget that I'm bereft
 Of all the pleasant sights they see,
 Which the piper also promised me.
 For he led us, he said, to a joyous land,
 Joining the town and just at hand,
 Where waters gushed and fruit trees grew,
 And flowers put forth a fairer hue,
 And everything was strange and new;
 The sparrows were brighter than peacocks here,
 And their dogs outrun our fallow deer,
 And honeybees had lost their stings,
 And horses were born with eagles' wings:
 And just as I became assured
 My lame foot would be speedily cured,
 The music stopped and I stood still,
 And found myself outside the hill,
 Left alone against my will,
 To go now limping as before,
 And never hear of that country more!"

 XIV.

 Also, alas, for Hamelin!
   There came into many a burgher's pate
   A text which says that heaven's gate
   Opes to the rich at as easy rate
 As the needle's eye takes a camel in!
 The mayor sent East, West, North, and South,
 To offer the piper, by word of mouth,
   Whatever it was men's lot to find him,
 Silver and gold to his heart's content,
 If he'd only return the way he went,
 And bring the children behind him.
 But when they saw 'twas a lost endeavor,
 And piper and dancers were gone forever,
 They made a decree that lawyers never
   Should think their records dated duly
 If, after the day of the month and year,
 These words did not as well appear,
  "And so long after what happened here
   On the twenty-second of July,
 Thirteen hundred and seventy-six:"
 And the better in memory to fix
 The place of the children's last retreat,
 They called it the Pied Piper's Street,
 Where any one playing on pipe or tabor
 Was sure for the future to lose his labor.
 Nor suffered they hostelry or tavern
   To shock with mirth a street so solemn;
 But opposite the place of the cavern
   They wrote the story on a column,
 And on the great church window painted
 The same, to make the world acquainted
 How their children were stolen away,
 And there it stands to this very day.
 And I must not omit to say
 That in Transylvania there's a tribe
 Of alien people who ascribe
 The outlandish ways and dress
 On which their neighbors lay such stress,
 To their fathers and mothers having risen
 Out of some subterranean prison
 Into which they were trepanned
 Long time ago in a mighty band
 Out of Hamelin town in Brunswick land,
 But how or why, they don't understand.

 XV.

 So, Willy, let me and you be wipers
 Of scores out with all men--especially pipers!
 And whether they pipe us FROM rats or FROM mice,
 If we've promised them aught, let us keep our promise.



All Wikipedia text is available under the terms of the GNU Free Documentation License

 
  Search Encyclopedia

Search over one million articles, find something about almost anything!
 
 
  
  Featured Article
The Transplants

... Contents The Transplants The Transplants are a band featuring Travis Barker of Blink-182 and Box Car Racer, Tim Armstrong[?] from Rancid, and Rob Aston[?]. Their ...