Just intonation

Although in theory two notes tuned in the frequency ratio 1024:927 might be said to be justly tuned, in practice only ratios using quite small numbers tend to be called just.

It is possible to tune the diatonic scale or chromatic scale in just intonation. Many other justly tuned scales have also been used.

The diatonic scale in just intonation

The prominent notes of a given scale are tuned so that the ratios of their frequencies are comprised of relatively small integers. For example, in the key of C major, the ratio of the frequencies of the notes C:G is 2:3, while that of C:F is 3:4.

All ratios that involve the prime numbers of 2, 3 and 5 can be built out of the following 3 basic intervals

• s=16/15 Semitone
• t=10/9 Minor Tone
• T=9/8 Major Tone

from which we get

• 6/5 = Ts
• 5/4 = Tt
• 4/3 = Tts
• 3/2 = TTts
• 2/1 = TTTttss

It gives rise to scale of key C

 C D E F G A B C
  T t s T t T s

with ratios w.r.t. C of

 D 9/8, E 5/4, F 4/3, G 3/2
 A 5/3, B 15/8 and C 2/1

Why isn't just intonation used much?

It's because for many instruments, you can't change the key of your scale without retuning your instrument. Also the above scale allows a minor tone to occur next to a semitone. This produces the awkward ratio 32/27 for F/D, so one needs to avoid such a combination of notes. Such an interval is called a wolf interval.

If the value of the major and minor tones are adjusted so that they are both equal, one gets a meantone temperament. If in addition the semitone is altered so that an interval of two semitones is equal to one tone, you get the 12 notes used in modern Western music (see equal temperament).

Composers: Lou Harrison, Ben Johnston, Harry Partch, Terry Riley, LaMonte Young.

External links

• Just Intonation Explained (http://home.earthlink.net/~kgann/tuning)
• Just Intonation Network (http://www.justintonation.net)