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Monet had to serve in the army in Algeria. His aunt Lecadre agreed to get him out of the army if he took an art course at a university. He left the army, but he did not like the traditional painting styles the university taught.
Monet could also use the studio and paint its models for a low cost. He painted Camille Doncieux[?], and later they were married. He painted Women in the Garden in the late 1860s. They moved to a house in Argenteuil[?], near the Seine River, after he and his wife had their first child. They lived there for six years until Camille died; he painted her on her death-bed. Monet then moved to a house in Giverny[?], Eure, in the Haute-Normandie, Region where he planted a large garden.
In 1872 Monet painted Impression: Sunrise (Impression: Soleil Levant - now in the Musée Marmottan, Paris), a landscape of Le Havre, which was hung in the first Impressionist exhibition in 1874. It is said that a hostile critic, from the title of this picture, used the name "Impressionists" by commenting that their paints were indeed "impressions" rather than finished works of art. By the third exhibition in 1876 the painters we know as the Impressionists were using the term about themselves.
In the 1880s and 1890s Monet painted a series of paintings of the Rouen Cathedral from different points of view and at different times of the day. Twenty views of the cathedral were exhibited at the Durand-Ruel gallery in 1895. He also made series-paintings of haystacks.
Monet was exceptionally fond of painting controlled nature - his own garden, his water lilies, his pond, and his bridge. His garden had a meadow with willows and a marsh. He also painted up and down the banks of the Seine. In 1914 Monet began a major new large series of the water lily scenes at the suggestion of his friend, the politician Georges Clemenceau.
Recent sales of a Monet painting exceeded US$22 million.
Monet page at Webmuseum (http://www.ibiblio.org/wm/paint/auth/monet/)