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Jonathan Richman

Jonathan Richman (born May 15, 1951) is an American proto-punk icon and one of the progenitors of "indie rock."

Born in Boston, Massachusetts, Jonathan Richman began playing music and writing his own songs in the mid-1960s. In 1969 he moved to New York City, where he spent time living on the couch of the Velvet Underground's manager and working odd jobs while trying to break in as a professional musician. Failing at this, he returned to Boston.

Having moved back there, he formed The Modern Lovers, a proto-punk garage rock band. Another notable member of the group was keyboard player Jerry Harrison[?], who later moved on to the Talking Heads. In 1972 they recorded a series of songs, including the seminal "Roadrunner," which were eventually released as the group's sole album, Modern Lovers, in 1975.

Shortly after these recordings were made, Richman broke up the band and embarked on his long and eclectic solo career. For a while he continued recording under the "Modern Lovers" name (or rather, the more telling "Jonathan Richman and the Modern Lovers" appellation), but all the members were different, and the new incarnation were essentially his backing band. The sound of the new group was considerably different as well, focusing on acoustic instrumentation rather than the prior electric guitars and drums. The album Jonathan Richman and The Modern Lovers was released in January 1977, and Rock and Roll with the Modern Lovers followed a month later.

In 1979 Richman finally went completely solo. That year's Back in Your Life was released under the "Jonathan Richman and the Modern Lovers" monicker, but this was true of only about half the disc—the rest was solo work. This album was probably the most extreme detour by Richman into eclecticism; after the odd but traditional acoustic rock of the previous albums, this one's solo tracks showed off a string bass and glockenspiel as main instruments.

A few years' hiatus ended in 1983 with Jonathan Sings!—memorably featuring a cover with Richman serenading a crowd wearing nothing but a guitar and neck strap. This was followed up with a series of pop efforts (Rockin' and Romance, It's Time for Jonathan Richman and the Modern Lovers, and Modern Lovers 88 from 1985, 1986 and 1988 respectively). Soon after, he returned to swooping madly around the musical landscape: country with 1990's Jonathan Goes Country, and Spanish translations of his earlier work (as well as traditional Spanish songs) with 1993's Jonathan, Te Vas a Emocionar!

Always possessing an ardent cult following, Richman has become better known in recent years thanks to a series of appearances on fan Conan O'Brien's show; also helping was a major part in the movie There's Something About Mary[?]. There he played a one-man chorus/musical commentator to the storyline, before exiting during the denouement by pratfalling over a wall after being accidentally shot by a sniper aiming for one of the movie's characters. (It's less complicated than it sounds, really.)

Riding the new popularity, he has continued his release schedule with You Must Ask the Heart in 1995, Surrender to Jonathan in 1996, and I'm So Confused in 1998. He also released a live album in 1998, Live at the Long Branch & More.

Richman has been influential in two fields, first affecting American Punk with the work he did in the first incarnation of the Modern Lovers—compare his vocal style with Billie Joe Armstrong of Green Day, for example. His music since then has set the tone for any number of quirky "college rock" acts like Violent Femmes, They Might Be Giants, Weezer, and solo Frank Black.



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