Its nominal subject was the discovery of a Bronze Age urn burial in Norfolk. The discovery of these remains prompts Browne to deliver, first, a careful description of the antiquties found. Browne then gives a careful survey of most of the burial and funerary customs, ancient and current, of which his era was aware.
The chief literary interest of the piece, though, is Browne's discourse of man's struggles with his own mortality, and the uncertainty of his fate and fame in this world and the next, to produce an extended funerary meditation tinged with melancholia. Browne rhetorically asks:
The changes wrought by time and eternity, the fleetingness of mortal fame, and our feeble attempts to cope with the certainty of death are Browne's subjects, which he turns into a copious flood of rhetorical prose. Yet, at the same time, Browne could be tersely witty, mocking human vainglory: "Time hath spared the epitaph of Adrian's horse, confounded that of himself."
Browne deeply influenced Thomas de Quincey, who said of this work,
The Urn Burial has also been admired by Charles Lamb, Samuel Johnson, Jorge Luis Borges, and Ralph Waldo Emerson, who said of it that it "smells in every word of the sepulchre." Which was, of course, the exact effect Browne wished.
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