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Chateau d'Oiron

The Chateau d’Oiron, in the Deux-Sèvres département, of western France has its origins rooted in the 15th century war with the English for control of France when a victorious Charles VII of France gave the domain and great forest of Oiron to Guillaume Gouffier who would become governor of Touraine.

Today, Oiron is only a short drive from the royal chateaux in the Val de Loire, but in the 15th century it was considered far removed from the seat of power at the royal domains. Nonetheless, Guillaume Gouffier built a magnificent chateau and his offspring would update and improve it. In 1538, his daughter-in-law, Helene de Hengest, was responsible for the construction of a collegiate church adjacent to the chateau. In 1551, King Henri II and his entire court were guests of Claude Gouffier who had been granted the title Marquis de Caravaz. Claude Gouffier served as the model for Charles Perrault’s Marquis de Carabas in his story, “Puss-in-Boots”.

Two generations later, another Gouffier would be exiled from the king’s court by Cardinal Richelieu in 1620. In the mid 1600s, Charlotte Gouffier became enamored with the renowned intellect, Blaise Pascal (1623-1662), who spent considerable time at Chateau d’Oiron. After Pascal died, Charlotte Gouffier married Francois d'Aubusson, the Duc de La Feuillade, who enhanced the chateau with his wealth and connections to King Louis XIV. With the renovations, the chateau would end up with a main building and two long projecting wings, one of which is a Renaissance structure built over a cloister. One of the galleries contains one of the most prestigious works of art from the French Renaissance period.

The Duc de La Feuillade’s son sold the chateau to King Louis XIV’s mistress, Madame de Montespan who lived there for the rest of her life. Her son had little interest in the property as he preferred to be much closer to the royal court so in 1736 he sold the chateau to the Duc de Villeroi. After that, the chateau went into severe decline and in 1793 was ransacked by Revolutionaries. For many years the chateau lay abandoned until the government of France took possession just before World War II eventually converting it to a museum.

Recognized world wide, the museum is dedicated to contemporary art. In 1993 The Year Of Solar Burns was commissioned by the French Ministry of Culture for permanent installation in Chateau d'Oiron.

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