Frahm had adiquate technical competence for his medium, with a style somewhat reminiscent of Norman Rockwell although more cartoony, mostly influenced by commerical artist Haddon Sundblom[?], who Frahm may have worked as an assistant for early in his career. Frahm's forte was depicting beautiful young women, with great care on rendering their legs and figures. Frahm's depictions of the women's faces are less successful, often tending towards plastic doll-like expressions. Minor problems with perspective and unrealistic depiciton of subsidiary figures and objects are common in Frahm's work.
Frahm commercially successful. His falling-panties paintings are still considered too camp to be art, and too juvenile to be erotica. However this genera (which Frahm seems to have created) was in demand in the 1950s, and became immitated by some other pin-up artists. The falling-panties art have a small cult following as mid-20th century kitsch. They are best described with plenty of irony; James Lileks[?] clever analysis (see external link below) of Frahm's work has brought it to the attention of many on the internet.
In addition to pin-ups, Frahm created a series of humorous hobo themed calendar illustrations. His advertising art included works for Coca-Cola and Coppertone[?].
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